1/8/2024 0 Comments Minnesota operaPerfect for the young and young at heart, this Minnesota original shows us a true miracle-that even the most broken of hearts can learn to love again. Edward Tulane takes us on a miraculous journey, from the depths of the deep blue sea to the streets of Memphis. Content in his easy life, his world is upturned when he is separated from his loving family. The story is centered around a toy rabbit, Edward Tulane, who thinks of himself as quite exceptional. The opera is based on the novel The Miraculous Journey of Edward Tulane by two-time Newberry Medalist and #1 New York Times best-selling author Kate DiCamillo and is the first time one of her works is being adapted for the operatic stage. at the Music Theater at the Ordway Center for the Performing Arts more than two years after its premiere was postponed in March of 2020 due to the COVID-19 pandemic. MINNEAPOLIS (September 16, 2022) – Edward Tulane, a new opera by composer Paola Prestini and librettist Mark Campbell, premieres on Saturday, October 8 at 7:30 p.m. These efforts set the stage for Minnesota Opera to become what it is today – one of America’s largest opera companies, admired as an innovative creator of compelling operas, programs and new works.MINNESOTA OPERA PRESENTS THE LONG-AWAITED WORLD PREMIERE OFīased on the novel by Minnesota author Kate DiCamillo, Edward Tulane brings together visionary composer Paola Prestini and long time Minnesota Opera collaborator and librettist Mark Campbell to create a miraculous journey all about finding home. Cuomo and John Patrick Shanley, 2013) and The Manchurian Candidate (Puts/Campbell, world premiere 2015). The 2007 world premiere of The Grapes of Wrath inspired the landmark New Works Initiative, which spawned the commissions of the Pulitzer Prize-winning Silent Night (Kevin Puts/Mark Campbell, 2012), Doubt (Douglas J. Minnesota Opera became a destination for audiences and artists interested in Bel Canto-period operas, and these artistic values now inform every aspect of the company’s programs, from repertoire selection and visual design to casting and artist training. In 2000, Minnesota Opera further expanded its season, advanced its production capacity and articulated an artistic vision inspired by early 19th-century Italian Bel Canto (literally “beautiful singing”) values, which emphasize intense emotional expression supported by exquisite technique. At the same time, recognition for Minnesota Opera’s progressive and far-reaching educational programs grew. The company expanded its season, increased the quality of its artistry and launched its Resident Artist Program. The two decades that followed marked a period of institutional and artistic growth. From that full production facility, Minnesota Opera created large-scale, innovative productions that built the company’s national reputation as a leading producer. Paul’s Ordway Center, still home to its mainstage season, and in 1990, opened the Minnesota Opera Center in Minneapolis, combining scenic and costume shops, rehearsal facilities and administrative offices into three renovated warehouses on the Mississippi riverfront. In 1985, Minnesota Opera became a founding tenant of St. Paul Opera in 1976, and through the 1980s, began to shift its focus to include more “traditional” repertoire. Known as a progressive, “alternative” opera production company throughout the 1970s, Minnesota Opera merged with the St. Center Opera focused on the composition and performance of new works by American composers, and, under the influence of the Walker Art Center, emphasized visual design. Minnesota Opera’s roots were planted when the Walker Art Center commissioned Dominick Argento to compose an opera (The Masque of Angels) for its performing arts program, Center Opera. Fifty years later, Minnesota Opera is one of the nation’s largest and most distinguished opera companies, known for its world-class artistry and innovative productions. In 1963, the commission of a world premiere sparked the creation of a small Twin Cities opera company spotlighting the rare and avant-garde.
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